The Rolling Stones Albums In Order Of Release

Discover the iconic journey of The Rolling Stones through their studio albums in chronological order. From their bluesy beginnings in the 1960s to their enduring rock mastery in the 2020s, this guide covers every album with a Spotify embed for instant listening, an engaging ~100-word explanation, and the full track list. Whether you’re reliving classics like “Satisfaction” or exploring later gems, this SEO-optimized post is your ultimate resource for The Rolling Stones discography. Let’s roll through the decades of rock ‘n’ roll history!

List Of The Rolling Stones Albums In Order By Year

The Rolling Stones’ albums in order by year showcase their legendary journey through rock history, from blues-inspired beginnings to timeless rock anthems. Each release reflects their evolution, cultural influence, and unmatched longevity. This chronological list helps fans explore their groundbreaking music catalog and appreciate the band’s iconic legacy.

The Rolling Stones Albums In Order: A Complete Discography Guide with Tracks and Spotify Embeds

The Rolling Stones (U.K.)

The Rolling Stones’ debut album, released in 1964, burst onto the UK scene with a raw, blues-infused energy that captivated audiences. Mostly covering American R&B hits, it highlighted the band’s passion for the genre, produced by Andrew Loog Oldham to emphasize their rebellious image. Topping the UK charts for 12 weeks, it sold over a million copies and established Mick Jagger and Keith Richards as songwriting forces with their first original track. This record captured the swinging ’60s spirit, blending gritty vocals, harmonica riffs, and driving rhythms that would define their early sound and launch them to stardom.

– Route 66
– I Just Want to Make Love to You
– Honest I Do
– Mona (I Need You Baby)
– Now I’ve Got a Witness (Like Uncle Gene and Uncle Phil)
– Little by Little
– I’m a King Bee
– Carol
– Tell Me (You’re Coming Back)
– Can I Get a Witness
– You Can Make It If You Try
– Walking the Dog

England’s Newest Hit Makers (U.S.)

Released in 1964 as the US version of their debut, England’s Newest Hit Makers introduced The Rolling Stones to American audiences with a slightly altered tracklist to appeal to the market. Featuring the hit “Not Fade Away,” it showcased their cover-heavy approach to blues and rock ‘n’ roll, drawing from artists like Buddy Holly and Chuck Berry. The album reached No. 11 on the Billboard charts, signaling the band’s transatlantic breakthrough. With Jagger’s charismatic vocals and Richards’ guitar work, it embodied the British Invasion’s edgy vibe, setting the stage for their global dominance and rivaling the Beatles’ popularity.

– Not Fade Away
– Route 66
– I Just Want to Make Love to You
– Honest I Do
– Now I’ve Got a Witness
– Little by Little
– I’m a King Bee
– Carol
– Tell Me (You’re Coming Back)
– Can I Get a Witness
– You Can Make It If You Try
– Walking the Dog

12 X 5 (U.S.)

The Rolling Stones’ second US album, 12 X 5, dropped in 1964, expanding on their debut with more originals and covers recorded during their first American tour. Named for 12 songs by 5 band members, it included hits like “Time Is on My Side” and “It’s All Over Now,” showcasing their growing confidence. Peaking at No. 3 on the Billboard charts, it solidified their stateside success amid the British Invasion. The record’s blend of R&B, rock, and soul reflected their Chicago blues influences, with energetic performances that hinted at the band’s evolving sound and rebellious spirit.

– Around And Around
– Confessin’ The Blues
– Empty Heart
– Time Is On My Side
– Good Times, Bad Times
– It’s All Over Now
– 2120 South Michigan Avenue
– Under The Boardwalk
– Congratulations
– Grown Up Wrong
– If You Need Me
– Susie Q

The Rolling Stones No. 2 (U.K.)

Released in 1965, The Rolling Stones No. 2 built on their debut’s success, featuring mostly covers but with two Jagger/Richards originals. It topped the UK charts for 10 weeks, outselling their first album and cementing their status as Britain’s top band. Tracks like “Everybody Needs Somebody to Love” and “Time Is on My Side” displayed their soulful side, influenced by American R&B. Produced by Oldham, the album captured the band’s live energy in studio, with tighter arrangements and bolder vocals. It marked a transitional phase, hinting at the original songwriting that would soon dominate their work.

– Everybody Needs Somebody to Love
– Down Home Girl
– You Can’t Catch Me
– Time Is on My Side
– What a Shame
– Grown Up Wrong
– Down the Road Apiece
– Under the Boardwalk
– I Can’t Be Satisfied
– Pain in My Heart
– Off the Hook
– Susie Q

The Rolling Stones, Now! (U.S.)

The 1965 US release, The Rolling Stones, Now!, compiled tracks from UK albums and singles, reaching No. 5 on Billboard. It featured hits like “Heart of Stone” and “Little Red Rooster,” showcasing their blues roots and increasing original contributions. This album highlighted the band’s versatility, blending slow ballads with uptempo rockers. Amid the British Invasion, it helped establish their bad-boy image in America. With Jagger’s emotive delivery and Richards’ riffing, it bridged their early cover era to more creative phases, capturing the excitement of their rising fame and musical maturation.

– Everybody Needs Somebody to Love
– Down Home Girl
– You Can’t Catch Me
– Heart of Stone
– What a Shame
– Mona (I Need You Baby)
– Down the Road Apiece
– Off the Hook
– Pain in My Heart
– Oh Baby (We Got a Good Thing Goin’)
– Little Red Rooster
– Surprise, Surprise

Out of Our Heads (U.S.)

Out of Our Heads, the 1965 US version, became the band’s first No. 1 album in America, driven by the mega-hit “(I Can’t Get No) Satisfaction.” Blending covers and originals, it marked a shift toward more Jagger/Richards compositions. Recorded in Chicago and Los Angeles, it captured their American influences with soulful tracks like “The Last Time.” The album’s success fueled their stardom, with its rebellious themes resonating during the cultural shift of the ’60s. This record showcased their growing songwriting prowess and charismatic style, paving the way for their golden era.

– Mercy Mercy
– Hitch Hike
– The Last Time
– That’s How Strong My Love Is
– Good Times
– I’m All Right
– (I Can’t Get No) Satisfaction
– Cry to Me
– The Under Assistant West Coast Promotion Man
– Play with Fire
– The Spider and the Fly
– One More Try

Out of Our Heads (U.K.)

The UK edition of Out of Our Heads, released in 1965, topped the charts for eight weeks, featuring a different tracklist from the US version. It included “Satisfaction,” which became a global anthem, expressing youth frustration. With more originals than previous albums, it demonstrated the band’s evolving sound, incorporating pop and soul elements. Produced during their US tour, it reflected their exposure to American music. This album solidified their reputation as songwriters, with hits like “The Last Time” and “Play with Fire,” marking a pivotal moment in their transition from covers to original rock legends.

– She Said Yeah
– Mercy Mercy
– Hitch Hike
– That’s How Strong My Love Is
– Good Times
– Gotta Get Away
– Talkin’ ‘Bout You
– Cry to Me
– Oh Baby (We Got a Good Thing Goin’)
– Heart of Stone
– The Under Assistant West Coast Promotion Man
– I’m Free

December’s Children (And Everybody’s) (U.S.)

Released in 1965, December’s Children (And Everybody’s) was a US-only compilation-like album, reaching No. 4 on Billboard. It included live tracks and singles like “Get Off of My Cloud” and “As Tears Go By,” showcasing their live prowess and melodic side. The album bridged their early blues phase to more experimental work, with Jagger’s lyrics exploring emotion and society. Amid intense touring, it captured their relentless energy. This record highlighted their versatility, blending rock, folk, and R&B, and kept their momentum going as they prepared for a creative explosion in the coming years.

– She Said Yeah
– Talkin’ About You
– You Better Move On
– Look What You’ve Done
– The Singer Not the Song
– Route 66
– Get Off of My Cloud
– I’m Free
– As Tears Go By
– Gotta Get Away
– Blue Turns to Grey
– I’m Moving On

Aftermath (U.K.)

Aftermath, the 1966 UK release, was the band’s first album of all original material, topping the charts for eight weeks. Featuring “Paint It, Black” and “Under My Thumb,” it explored darker themes with innovative instrumentation like sitar and dulcimer. Brian Jones’ multi-instrumental talents shone, adding exotic flair. Produced by Oldham, it marked their artistic growth, blending rock with psychedelia. This album captured the ’60s cultural shift, with Jagger’s lyrics addressing relationships and society. It established The Rolling Stones as innovative songwriters, influencing the rock landscape and their own future masterpieces.

– Mother’s Little Helper
– Stupid Girl
– Lady Jane
– Under My Thumb
– Doncha Bother Me
– Going Home
– Flight 505
– High and Dry
– Out of Time
– It’s Not Easy
– I Am Waiting
– Take It or Leave It
– Think
– What to Do

Aftermath (U.S.)

The US version of Aftermath, released in 1966, reached No. 2 on Billboard, including “Paint It, Black” as the opener. With 11 tracks, it emphasized the band’s new all-original approach, featuring hits like “Mother’s Little Helper.” Jones’ experimentation with marimba and sitar added unique textures. The album’s themes of misogyny and drug culture sparked controversy, reflecting the era’s social changes. This edition showcased their transatlantic appeal, with Richards’ riffs and Watts’ drumming driving the sound. It was a turning point, proving their ability to craft complex, influential rock music beyond covers.

– Paint It, Black
– Stupid Girl
– Lady Jane
– Under My Thumb
– Doncha Bother Me
– Think
– Flight 505
– High and Dry
– It’s Not Easy
– I Am Waiting
– Going Home

Between the Buttons (U.K.)

Between the Buttons, released in 1967 in the UK, reached No. 3 on the charts, embracing pop and psychedelia with tracks like “Let’s Spend the Night Together.” The album featured eclectic instrumentation, including kazoo and recorder, highlighting Jones’ creativity. Jagger and Richards’ songwriting explored whimsy and satire, departing from blues roots. Produced in London, it reflected the Summer of Love vibe. Though less commercial than previous works, it showcased their versatility and artistic risk-taking, bridging their rock foundations to the psychedelic era and foreshadowing more experimental albums.

– Yesterday’s Papers
– My Obsession
– Back Street Girl
– Connection
– She Smiled Sweetly
– Cool, Calm & Collected
– All Sold Out
– Please Go Home
– Who’s Been Sleeping Here?
– Complicated
– Miss Amanda Jones
– Something Happened to Me Yesterday

Between the Buttons (U.S.)

The 1967 US edition of Between the Buttons included singles “Ruby Tuesday” and “Let’s Spend the Night Together,” reaching No. 2 on Billboard. With a different tracklist, it leaned into pop-rock, with baroque elements and satirical lyrics. Jones’ contributions on mellotron and brass added depth. The album captured the band’s response to the Beatles’ influence, blending English music hall with psychedelia. Though not their biggest seller, it demonstrated their adaptability during a transformative period in rock, with Jagger’s vocals conveying irony and romance, setting the stage for their next phase.

– Let’s Spend the Night Together
– Yesterday’s Papers
– Ruby Tuesday
– Connection
– She Smiled Sweetly
– Cool, Calm & Collected
– All Sold Out
– My Obsession
– Who’s Been Sleeping Here?
– Complicated
– Miss Amanda Jones
– Something Happened to Me Yesterday

Their Satanic Majesties Request

Released in 1967, Their Satanic Majesties Request was the band’s foray into psychedelia, responding to the Beatles’ Sgt. Pepper. Peaking at No. 3 in the UK, it featured experimental tracks like “2000 Light Years from Home” with mellotron and theremin. Amid legal troubles and Jones’ declining health, it was self-produced, resulting in a chaotic yet inventive sound. The album’s 3D cover and cosmic themes captured the era’s drug culture. Though criticized as derivative, it showed their willingness to innovate, with gems like “She’s a Rainbow” highlighting their melodic talent.

– Sing This All Together
– Citadel
– In Another Land
– 2000 Man
– Sing This All Together (See What Happens)
– She’s a Rainbow
– The Lantern
– Gomper
– 2000 Light Years from Home
– On with the Show

Beggars Banquet

Beggars Banquet, released in 1968, marked a return to roots rock after psychedelia, reaching No. 3 in the UK. Produced by Jimmy Miller, it featured classics like “Sympathy for the Devil” and “Street Fighting Man,” addressing social turmoil. Jones’ final full album with the band, it blended blues, country, and rock with acoustic elements. The controversial toilet cover was censored. This record revitalized their sound, emphasizing rhythm and Jagger’s provocative lyrics. It’s considered a masterpiece, influencing alt-country and rock, and kicking off their most acclaimed period.

– Sympathy for the Devil
– No Expectations
– Dear Doctor
– Parachute Woman
– Jig-Saw Puzzle
– Street Fighting Man
– Prodigal Son
– Stray Cat Blues
– Factory Girl
– Salt of the Earth

Let It Bleed

Let It Bleed, released in 1969, topped the UK charts and reached No. 3 in the US, serving as Jones’ swan song and Taylor’s debut. Hits like “Gimme Shelter” and “You Can’t Always Get What You Want” captured the end of the ’60s optimism. Produced by Miller, it mixed blues, country, and gospel with apocalyptic themes. The album’s cake cover symbolized excess. Amid Altamont tragedy, it reflected societal chaos. Praised for its depth and musicianship, it’s a cornerstone of rock, showcasing the band’s resilience and artistic peak.

– Gimme Shelter
– Love in Vain
– Country Honk
– Live with Me
– Let It Bleed
– Midnight Rambler
– You Got the Silver
– Monkey Man
– You Can’t Always Get What You Want

Sticky Fingers

Sticky Fingers, released in 1971, was the band’s first on their own label, topping charts worldwide. Featuring Warhol’s zipper cover, it included “Brown Sugar” and “Wild Horses.” With Taylor’s guitar shining, it blended rock, blues, and country. Produced by Miller, recordings spanned muscle Shoals and Olympic Studios. The album explored addiction and romance with raw honesty. It’s hailed as one of their best, marking the start of their ’70s dominance. The music’s groove and Jagger’s swagger made it a rock essential, influencing generations with its bold, sexy vibe.

– Brown Sugar
– Sway
– Wild Horses
– Can’t You Hear Me Knocking
– You Gotta Move
– Bitch
– I Got the Blues
– Sister Morphine
– Dead Flowers
– Moonlight Mile

Exile on Main St.

Exile on Main St., the 1972 double album, topped charts globally, recorded in France amid tax exile. Featuring “Tumbling Dice” and “Happy,” it fused rock, blues, gospel, and soul in a loose, jam-heavy style. Produced by Miller, it involved guest musicians like Nicky Hopkins. Initially mixed reviews turned to acclaim, often ranked as their greatest work. The album’s gritty, hedonistic themes mirrored the band’s lifestyle. With Richards’ lead on several tracks, it captured their peak creativity, becoming a blueprint for raw, authentic rock and a timeless classic.

– Rocks Off
– Rip This Joint
– Shake Your Hips
– Casino Boogie
– Tumbling Dice
– Sweet Virginia
– Torn and Frayed
– Sweet Black Angel
– Loving Cup
– Happy
– Turd on the Run
– Ventilator Blues
– I Just Want to See His Face
– Let It Loose
– All Down the Line
– Stop Breaking Down
– Shine a Light
– Soul Survivor

Goats Head Soup

Goats Head Soup, released in 1973, topped charts but divided fans with its mellower tone post-Exile. Featuring “Angie” and “Doo Doo Doo Doo Doo (Heartbreaker),” it mixed ballads with funk. Recorded in Jamaica, it reflected drug issues and Taylor’s contributions. Produced by Miller, it experimented with reggae and strings. Though criticized for lacking edge, it’s appreciated for emotional depth. The album marked a transitional phase, with Jagger’s lyrics exploring loss and fame. It’s a underrated gem, showcasing their ability to evolve while maintaining rock soul.

– Dancing with Mr. D.
– 100 Years Ago
– Coming Down Again
– Doo Doo Doo Doo Doo (Heartbreaker)
– Angie
– Silver Train
– Hide Your Love
– Winter
– Can You Hear the Music
– Star Star

It’s Only Rock ‘n Roll

It’s Only Rock ‘n Roll, released in 1974, was the last with Taylor, topping the US charts. Title track and “Ain’t Too Proud to Beg” highlighted their swagger. Self-produced as the Glimmer Twins, it featured Ronnie Wood on some tracks. Recorded amid tensions, it blended hard rock with ballads. The album’s caricatured cover mocked fame. Though seen as filler by some, it’s loved for its fun, straightforward rock. It bridged their ’70s eras, with Richards’ riffs and Jagger’s charisma shining, affirming their status as rock icons.

– If You Can’t Rock Me
– Ain’t Too Proud to Beg
– It’s Only Rock ‘n Roll (But I Like It)
– Till the Next Goodbye
– Time Waits for No One
– Luxury
– Dance Little Sister
– If You Really Want to Be My Friend
– Short and Curlies
– Fingerprint File

Black and Blue

Black and Blue, released in 1976, reached No. 1 in the US, serving as an audition for Taylor’s replacement with guests like Wood and Harvey Mandel. Featuring “Fool to Cry” and “Hot Stuff,” it explored funk, reggae, and jazz. Produced by the Glimmer Twins, it was their first without Taylor. The controversial bondage ad drew backlash. Though not their strongest, it’s praised for eclectic grooves and experimentation. The album reflected ’70s disco influences, with Watts’ drumming standing out, and marked Wood’s entry, ushering a new chapter.

– Hot Stuff
– Hand of Fate
– Cherry Oh Baby
– Memory Motel
– Hey Negrita
– Melody
– Fool to Cry
– Crazy Mama

Some Girls

Some Girls, released in 1978, topped US charts for weeks, responding to punk and disco with hits like “Miss You” and “Beast of Burden.” Wood’s first full album, it blended rock with dance grooves. Produced by the Glimmer Twins, recordings in Paris captured renewed energy. Controversial lyrics sparked debate, but it’s hailed as a comeback. The album’s celebrity cover parodies added humor. With Jagger’s falsetto and Richards’ riffs, it proved their relevance in the late ’70s, mixing satire, romance, and rhythm for a vibrant, enduring classic.

– Miss You
– When the Whip Comes Down
– Just My Imagination (Running Away with Me)
– Some Girls
– Lies
– Far Away Eyes
– Respectable
– Before They Make Me Run
– Beast of Burden
– Shattered

Emotional Rescue

Emotional Rescue, released in 1980, topped charts, following Some Girls with disco-infused tracks like the title song. It explored reggae and funk, with “She’s So Cold” adding rock edge. Produced by the Glimmer Twins, it featured guest musicians amid band tensions. The thermographic cover was innovative. Though criticized for inconsistency, it’s appreciated for catchy hooks and experimentation. The album reflected ’80s trends while retaining Stones grit, with Jagger’s vocals dominating. It’s a fun, danceable entry in their catalog, bridging ’70s excess to new decade sounds.

– Dance (Pt. 1)
– Summer Romance
– Send It to Me
– Let Me Go
– Indian Girl
– Where the Boys Go
– Down in the Hole
– Emotional Rescue
– She’s So Cold
– All About You

Tattoo You

Tattoo You, released in 1981, topped US charts for nine weeks, compiled from outtakes with new vocals. Hits like “Start Me Up” and “Waiting on a Friend” drove its success. Produced by the Glimmer Twins, it divided into rock and ballad sides. The album salvaged material from previous sessions, showcasing their hit-making ability. Praised for cohesion despite origins, it captured ’80s rock energy. With Sonny Rollins’ sax adding jazz, it’s a fan favorite, proving the band’s longevity and knack for crafting timeless anthems amid internal strife.

– Start Me Up
– Hang Fire
– Slave
– Little T&A
– Black Limousine
– Neighbours
– Worried About You
– Tops
– Heaven
– No Use in Crying
– Waiting on a Friend

Undercover

Undercover, released in 1983, reached No. 3 in the UK, embracing ’80s production with synths and dance beats in tracks like “Undercover of the Night.” Addressing politics and sex, it featured dub influences. Produced by the Glimmer Twins with Chris Kimsey, it was their first without Miller. The controversial cover was censored. Though mixed reviews for its modern sound, it’s valued for bold experimentation. The album reflected band tensions but highlighted their adaptability, with strong guitar work and Jagger’s topical lyrics, keeping them relevant in the MTV era.

– Undercover of the Night
– She Was Hot
– Tie You Up (The Pain of Love)
– Wanna Hold You
– Feel On Baby
– Too Much Blood
– Pretty Beat Up
– Too Tough
– All the Way Down
– It Must Be Hell

Dirty Work

Dirty Work, released in 1986, reached No. 4 in the US amid Jagger-Richards feud, with “Harlem Shuffle” as a hit cover. Produced by Steve Lillywhite, it featured guests like Jimmy Page. The album’s aggressive rock sound addressed personal conflicts. Watts’ health issues led to session drummers. Though criticized for unevenness, it’s noted for Richards’ leads like “One Hit (To the Body).” The cover’s bright colors contrasted its dark themes. It’s a transitional work, reflecting ’80s turmoil but reaffirming their rock core before a hiatus.

– One Hit (To the Body)
– Fight
– Harlem Shuffle
– Hold Back
– Too Rude
– Winning Ugly
– Back to Zero
– Dirty Work
– Had It with You
– Sleep Tonight

Steel Wheels

Steel Wheels, released in 1989, marked the band’s reunion, topping charts and spawning “Mixed Emotions.” Produced by the Glimmer Twins with Chris Kimsey, it blended rock with contemporary sounds. The album supported their biggest tour yet. With themes of reconciliation, it featured horns and keyboards. Praised for vitality, it’s seen as a comeback. The record showcased their enduring chemistry, with strong riffs and ballads, proving they could thrive in the ’80s end, setting the stage for ’90s success.

– Sad Sad Sad
– Mixed Emotions
– Terrifying
– Hold On to Your Hat
– Hearts for Sale
– Blinded by Love
– Rock and a Hard Place
– Can’t Be Seen
– Almost Hear You Sigh
– Continental Drift
– Break the Spell
– Slipping Away

Voodoo Lounge

Voodoo Lounge, released in 1994, was their first without Wyman, with Darryl Jones on bass, winning a Grammy for Best Rock Album. Topping UK charts, it featured “Love Is Strong.” Produced by Don Was, it returned to basics with bluesy rock. The album’s world tour was massive. Though long, it’s praised for energy and variety. It marked a new era, with Jagger and Richards reconciling creatively, delivering hits and deep cuts that reaffirmed their status as rock titans in the ’90s.

– Love Is Strong
– You Got Me Rocking
– Sparks Will Fly
– The Worst
– New Faces
– Moon Is Up
– Out of Tears
– I Go Wild
– Brand New Car
– Sweethearts Together
– Suck on the Jugular
– Blinded by Rainbows
– Baby Break It Down
– Thru and Thru
– Mean Disposition

Bridges to Babylon

Bridges to Babylon, released in 1997, reached No. 6 in the UK, featuring “Anybody Seen My Baby?” with Biz Markie sample. Produced by Don Was and others, it experimented with loops and guest producers like Dust Brothers. The tour was groundbreaking with stage designs. Though criticized for bloat, it’s valued for ambition and hits like “Saint of Me.” The album blended rock with electronica, reflecting ’90s trends while keeping Stones essence, showing their willingness to modernize without losing identity.

– Flip the Switch
– Anybody Seen My Baby?
– Low Down
– Already Over Me
– Gunface
– You Don’t Have to Mean It
– Out of Control
– Saint of Me
– Might as Well Get Juiced
– Always Suffering
– Too Tight
– Thief in the Night
– How Can I Stop

A Bigger Bang

A Bigger Bang, released in 2005, reached No. 2 in the UK, their highest since Voodoo Lounge. Featuring “Streets of Love,” it was produced by Don Was, emphasizing raw rock. Recorded after Watts’ cancer recovery, it exuded vitality. The album criticized politics in “Sweet Neo Con.” Praised for cohesion, it’s considered their best since Tattoo You. With 16 tracks, it showcased tight musicianship and Jagger/Richards songwriting. The supporting tour was the highest-grossing ever, affirming their legendary status in the 21st century.

– Rough Justice
– Let Me Down Slow
– It Won’t Take Long
– Rain Fall Down
– Streets of Love
– Back of My Hand
– She Saw Me Coming
– Biggest Mistake
– This Place Is Empty
– Oh No, Not You Again
– Dangerous Beauty
– Laugh, I Nearly Died
– Sweet Neo Con
– Look What the Cat Dragged In
– Driving Too Fast
– Infamy

Blue & Lonesome

Blue & Lonesome, released in 2016, was their first all-covers album since debut, topping UK charts. Recorded live in three days, it paid homage to blues idols like Howlin’ Wolf. Produced by Don Was, it featured Eric Clapton guests. The raw, energetic sound won a Grammy poll. Amid aging, it proved their blues roots intact. The album’s authenticity and passion resonated, with Jagger’s harmonica shining. It’s a triumphant return to origins, reminding fans of their foundation while delivering fresh interpretations in their 70s.

– Just Your Fool
– Commit a Crime
– Blue and Lonesome
– All of Your Love
– I Gotta Go
– Everybody Knows About My Good Thing
– Ride ‘Em On Down
– Hate to See You Go
– Hoo Doo Blues
– Little Rain
– Just Like I Treat You
– I Can’t Quit You Baby

Hackney Diamonds

Hackney Diamonds, released in 2023, was their first originals in 18 years, topping UK charts. Featuring “Angry” and guests like Lady Gaga, it honored Watts with two tracks. Produced by Andrew Watt, it mixed modern rock with classic vibe. The album addressed mortality and resilience. Praised for freshness, it’s seen as a strong late-career work. With collaborations from Paul McCartney, it bridged generations. The record reaffirmed their vitality, proving The Rolling Stones remain rock’s eternal force even in their 80s.

– Angry
– Get Close
– Depending On You
– Bite My Head Off
– Whole Wide World
– Dreamy Skies
– Mess It Up
– Live by the Sword
– Driving Me Too Hard
– Tell Me Straight
– Sweet Sounds of Heaven
– Rolling Stone Blues

Frequently Asked Questions (FAQs)

1. How many studio albums have The Rolling Stones released? The Rolling Stones have released 31 studio albums, including separate UK and US versions of early albums, from The Rolling Stones (1964) to Hackney Diamonds (2023).
2. What is considered the Rolling Stones’ best album? Exile on Main St. (1972) is often cited as their masterpiece for its raw, eclectic brilliance, though Sticky Fingers (1971) and Let It Bleed (1969) also rank highly among fans and critics.
3. Why do some Rolling Stones albums have different UK and US versions? Early in their career, US label London Records altered track lists to include hit singles, catering to American audiences, resulting in different versions of albums like Out of Our Heads and Aftermath.
4. Which Rolling Stones album marked their return to blues roots? Blue & Lonesome (2016) is a full covers album of Chicago blues, recorded live, showcasing their lifelong love for the genre that shaped their early sound.
5. What is the significance of Hackney Diamonds (2023)? Their first original album in 18 years, Hackney Diamonds features modern production and guest stars, proving the band’s vitality six decades into their career.

Conclusion

The Rolling Stones’ discography is a remarkable journey through rock history, from their 1964 debut rooted in blues to the vibrant Hackney Diamonds in 2023. Each album reflects their ability to evolve—whether embracing psychedelia, punk, or modern production—while staying true to their rebellious spirit. With 31 studio albums, they’ve crafted timeless hits and bold experiments, earning their place as rock legends. This guide, complete with track lists and Spotify embeds, invites you to explore their legacy. Dive into their music and witness the enduring power of the Stones!